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世纪之交,面对世界文化的汹涌大潮,中国美学向何处去?这是当代中国美学亟待解决的世纪性课题,一代宗师朱光潜先生和宗白华先生的美学思想,能够给予我们诸多启示.1996年9月8日,来自内地、港、台及德国的70余名学者,云集风景秀美的黄山,参加由北京大学哲学系、德国波恩大学汉学系、安徽省社科院文学所共同主办的纪念朱光潜、宗白华诞辰一百周年国际学术研讨会,缅怀二位美学老人的高尚人格、讨论他们的美学思想,展望未来中国美学发展前景.与会者一致认为,朱光潜先生和宗白华先生是20世纪中国最伟大的美学家,虽然他们的美学理论各具特色,但他们都立
At the turn of the century, in the face of the turbulent tide of world culture, where does Chinese aesthetics go? This is a century-old topic to be solved in contemporary Chinese aesthetics. The aesthetic ideas of the great masters Zhu Guangqian and Zong Baihua can give us much inspiration. On September 8, 1996, more than 70 scholars from the Mainland, Hong Kong, Taiwan and Germany gathered in the beautiful Huangshan Mountain and participated in the symposium jointly sponsored by the Philosophy Department of Peking University, the Sinology Department of Bonn University in Germany, and the Literature Institute of Anhui Academy of Social Sciences Commemorating the International Academic Symposium on the Centenary of the Birthday of Zhu Guangqian and Zong Baihua, cherishing the memory of the noble personality of the two elders of aesthetics, discussing their aesthetic ideas and looking forward to the future development of Chinese aesthetics. The participants agreed that Mr. Zhu Guangqian and Mr. Zong Baihua Although the greatest aesthetics of China in the twentieth century were distinctive, they all stood