无车的泊位——缺位的中产阶级文化空间探析

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2002年年末的一件事是特别耐人寻味的: 令国人很是惊喜的宋代大书法家米芾的《研山铭》由海外回流国内,欲通过公开拍卖决定花落谁家。无论是藏界还是大众,争相议论,国内媒体不吝版面给予报道,使之成为一个不大不小的热门话题。12月6日如期在中贸圣佳拍卖公司举行公开拍卖,结果让国人长出了一口气——总算留在国内了!然而现场“举牌”的只有一人。原来是经有关部门决定,对这件拍品进行“定向拍卖”。结果,人们在现场看到的是只有一人有“资格”举牌,“竞拍”过程仅用10秒钟。那么假设,如果不“定向”呢? One of the things that was particularly intriguing at the end of 2002 was that people were surprised by the fact that “mulberry ming”, the great calligrapher of the Song Dynasty, returned to China from overseas and was going to decide who to win a public auction. Whether it is the Tibetan community or the general public, competing discussions, the domestic media have been generous coverage to give coverage, making it a big buzz topic. On December 6, a public auction was held at the ZhongSuo ShengJia Auction Company as scheduled. As a result, the Chinese people took a long breath - finally staying in the country! However, there was only one person holding the “placards” on the scene. The original is determined by the relevant departments, this auction for “targeted auction.” As a result, what people saw on the scene was that only one person had a “qualifying” placards, “bidding” process took only 10 seconds. So suppose, if not “orientation” it?
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