20世纪初,林风眠、徐悲鸿、刘海粟等青年知识分子公费或自费出国学习西方油画,并于“五四”运动前后分批回国,开设学校,举办画展,油画从此在中国落地生根。近一个世纪以来,无数画家从中国的社会现实和文化传统出发,根据中国人的审美观念对油画进行学习和改造,先后出现了“古典性写实”、“表现性写实”、“超级写实”、“梦幻性写实”以及介于写实具象与抽象之间的“意象油 At the beginning of the 20th century, young intellectuals such as Lin Fengmian, Xu Beihong and Liu Haisu went abroad to study Western oil paintings at their own expense or at their own expense and returned home in batches before and after the May Fourth Movement. Schools and exhibitions were held. Oil paintings thus took root in China. For nearly a century, countless painters have started from the social reality and cultural traditions of China and learned and transformed their paintings according to the aesthetic concepts of Chinese people. They have successively appeared such as ”classical realism“, ”expressive realism“ ”Super realistic“, ”fantastic realistic“ and ”image oil" between realistic and abstract