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1947年8月4日,吴宓在《武汉日报》“文学副刊”发表文章,沉痛悼念诗友常燕生先生.文章说,他与常相识,是在读其长诗《翁将军歌》和《论新诗》以后.这两首诗均写于1932年,前者是歌颁“一·二八”战役的抗日英雄、十九路军旅长翁照垣的,后者是评论白话诗运动的.值得注意的是,吴宓不仅将这两首诗录入其《空轩诗话》,还给予很高评价.他认为,《翁将军歌》“气格高古.旨意正大,深厚而沈雄.通体精练,无懈可击.其序仿杜甫‘同元使君春陵行’.其诗也直追少陵与唐贤.……统观九一八后两年中南北各地叙记国难之佳篇,应以常君此歌为首选”(《常燕先生遗集·哀挽录》,第21页).至于《论新诗》,他的评语是:“议论正大,而格调高古,有清新自然之致.”此外,吴为了将这两首诗“登布于天津《大公报》文学副刊”,曾与常燕生谋面.据说,在那次见面后,吴对常印象颇佳,认为“其人渊雅静穆,而性情诚厚,纯然文士,绝异政海中人物也”(同上,第23页).为了解上述情况,我查阅了新出版的《吴宓日记》,可惜这一年的日记缺失.又查1932年的《大公报》,不知为什么也没有这两首诗的踪影.
On August 4, 1947, Wu Kui published an article in the “Literature Supplement” of “Wuhan Daily”, mourning the poet Mr. Chang Yansheng deeply. The article said that he often met each other and read his long poem “Weng Song” and “On New Poetry. ”Both of these two poems were written in 1932, the former being the anti-Japanese heroes who conferred the“ January 28 ”war, and the brigade of the 19th Route Army, Weng Zuyuan, who commented on the vernacular movement. It is noteworthy that, Wu Mi not only recorded these two poems into his “Empty Xuan Poetry”, but also gave a high rating.He believes that “Weng General Song” “high style .Sincerity, deep and Shen Xiong .Tongtong refined, impeccable. Imitating Du Fu ’same yuan to Jun Chunling line.’ His poems are also chasing Shaoling and Tang Xian ... ... unified view of the two years after 1918, The first choice ”(“ Chang Yan, ”written by Chang Yan, p.21) .As for“ On New Poetry, ”his comment is:“ The discussion is positive but the style is higher and there is something fresh and fresh. ”In addition, In order to publish these two poems “in the literary supplements of Ta Kung Pao, Tianjin, he had met with Chang Yansheng and it is said that after that meeting, , Thinking that ”its human aspect is elegant and quiet, and its temperament is sincere, purely literati and absolutely influential people in the sea“ (ibid., P.23). To understand the above, I consulted the newly published ”Wu Mi Diary" This year’s diary is missing, and the Ta Kung Pao dated back to 1932, I do not know why there is no trace of these two poems.