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如果说我因为“工薪族收藏家”的名号而在艺术界取得了一定的影响力或者权力,那目的也不是为了从画廊和艺术家那里获得优惠的价格,而是为了支持和推动我看好的年轻艺术家。——宫津大辅即将年届五旬的他在艺术界似乎有点名气,在短短的18年间收藏了超过300件当代艺术品,将自己的收藏借展给世界一流美术馆,也举办收藏家联展和个人的藏品展,出过两本鼓动别人收藏当代艺术的书;但在普通人的世界中,他不过是个平平凡凡的上班族;家境小康,生来没有金汤匙可咬,也没有喜从
If I gain some influence or power in the arts because of the title of “Salaried Collector,” I am not trying to get preferential prices from galleries and artists, but to support and promote me Optimistic young artist. - Miyazu Daisuke’s upcoming Pentecost, he seems to be a little famous in the art world, in a short period of 18 years has collected more than 300 pieces of contemporary art, his collection will be borrowed to the world-class art museum, also held a collection Family exhibition and personal collection of exhibits, out of two books to encourage others to collect contemporary art; but in the ordinary human world, he is nothing but a mediocre worker; family well-off, born with no gold spoon to bite, nor happy From