我是搞话剧表演的,从党的十一届三中全会前后才开始从事剧本创作。几十年来深切体会到公式化、概念化、干巴巴说教的作品是极不爱群众欢迎的,也使我们这些在舞台上直接和观众见面的人多么尴尬,那些作品不仅起不到“教育”作用,有时还会起反作用。三中全会以后,尤其是胡耀邦同志在戏剧创作座谈会上的讲话发表以后,我从心底里觉得有一种解放感。胡启立同志的“祝词”,更明确的宣布了 I was engaged in drama performances, before the Third Plenary Session of the Eleventh Central Committee began to engage in screenwriting. Decades have come to realize that the works of formulation, conceptualization and dry preaching are extremely popular with the masses and embarrassing us as those who meet directly with the audience on the stage. Those works not only fail to achieve the role of “education” Sometimes it can be counterproductive. After the Third Plenary Session, especially after Comrade Hu Yaobang delivered his speech at the symposium on drama creation, I felt a sense of liberation from the bottom of my heart. Comrade Hu Qili’s “celebration message” was more clearly announced