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20世纪中国文学中反复出现的寻找民族文化之根的创作现象,是作家陷入个人遭遇和社会前途双重困境下而出现的极为重要的精神现象,也是作家长期思考的一个创作母题。1930年代的“京派”文学和1980年代的“寻根文学”是20世纪“寻根”思潮在不同时代产生的两大重要的文学流派,二者在乡土体验和文化重构方面有着惊人的一致,然而又因创作主体的文化心态与审美价值取向的差异,体现出不同的创作风格。
The repeated creation of the root of national culture in Chinese literature in the 20th century is an extremely important spiritual phenomenon that the writer finds himself in the dual predicaments of personal encounters and social futures. It is also a creative motif for long-term thinking of writers. The “Beijing School” literature in the 1930s and the “Root-Seeking Literature” in the 1980s are the two major literary genres that emerged in different periods in the 20th century and the “Root-Seeking” trend of thought. Both of them are significant in terms of local experience and cultural reconstruction There is an astonishing agreement. However, due to the difference between the cultural mentality of the main body of creation and the aesthetic value orientation, it reflects different creative styles.