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对美的感知与思辨是人类生活中不可或缺的实践方式。文艺复兴以来,笛卡儿以“怀疑一切”的态度使“人”成为主体;达尔文以“物种起源”为起点推广进化论;康德认为三种“关于上帝存在的证明”无用;黑格尔看到超验因素在宗教领域消失;尼采提出“上帝之死”,提升“人”的创造维度;海德格尔同意尼采的见解, 认为“权力意志”设定自身为最高价值;福柯高呼“人之死”,确立“自我”的“生存美学”,艺术地关照日常生活,完善“自我”价值,确立个性风格,从中可见视界融合的人文景观:“现实的人”与“自我”在“凝视”中领悟“生活的艺术品”。
Perception and speculation on the United States is an indispensable practice in human life. Since the Renaissance, Descartes made “man” the subject of “suspicion of everything”; Darwin promoted evolution from the point of “origin of species”; Kant thought the three “proofs about the existence of God” useless; Hegel saw The transcendental factor vanished in the religious field. Nietzsche proposed “the death of God” and promoted the creation dimension of “man.” Heidegger agreed with Nietzsche’s view that the “power will” set itself as the highest value. Foucault shouted “man Death ”, establish the“ living aesthetics ”of“ self ”, take care of daily life artfully, perfect the value of“ self ”and establish the personality style. From this, we can see the fusion of humanities landscape:“ real man ”and“ self ” “In the realization of” art of living. "