和声是音乐理论课的基础课程,对音乐作品创作有很重要的作用。但是,传统的和声教学只是单纯的教授学生和声的基础知识,对于和声怎样运用到实际创作中,没有多加重视,这一情况导致和声学习者学了和声却不会用。本文通过作者的一些经验,从和声的织体、作品结构、和声创新几个方面对和声技法进行归纳。 Harmony is the basic course of music theory course, which plays an important role in the creation of musical works. However, the traditional harmony teaching is only a simple teaching of the basic knowledge of students’ harmony, and it does not pay much attention to how the harmony is applied to the actual creation. This situation makes the harmony learners do not learn the harmony. Based on some experiences of the author, this article summarizes the harmony techniques from several aspects such as the harmony of the fabric, the structure of the works and the harmony innovation.