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明清戏曲序跋是一种重要的戏曲批评形态,在反映戏曲理论走向上具有重要的意义。通过对明清戏曲序跋发展阶段及批评特点的揭示,能清晰认知明清戏曲理论的走势。在对大量明清戏曲序跋进行细读的基础上,把明清戏曲的发展归结为四个阶段,并认为明清戏曲序跋的批评始终贯穿着两条主线:一是曲—戏—文的戏曲本体批评;一是教化—达情—教化的戏曲功用批评。
The Preface and Postscript of Drama in Ming and Qing Dynasties is an important form of drama criticism, which is of great significance in reflecting the direction of opera theory. By revealing the stage of development and critical features of opera preludes and postscripts in the Ming and Qing dynasties, the trend of opera theory in the Ming and Qing Dynasties can be clearly recognized. Based on a careful reading of a large number of preludes and preludes of the Ming and Qing dynasties, the development of the drama in the Ming and Qing Dynasties is reduced to four stages. The criticism of the prefaces and postscripts of the drama in the Ming and Qing Dynasties runs through two main lines: the opera - opera - drama Ontology criticism; First, enlightenment - up to love - educational function of drama criticism.