论文部分内容阅读
学习绘画,大多从基础素描开始。透视、造型、结构、空间是理性而规范的,面对物象的画者是感性的。通过理性观察继而升华到感性表现,艺术才赋予生命。即便单色的素描,也是如此。然习画者没有量和时间的堆积,并在此积累上所产生的悟性,恐难成事。素质也罢,天分也罢,很难道清源于何时?渴望顿开茅塞,期待得心应手,其过程中时而闪现,又时而消失,这在绘事中常见。说不清在哪一阶段出现,或是得意找到感觉,或是垂头丧气不见进步。但天下学画者先苦匠后悟艺者为多。从匠到艺是量变到质变的飞跃,画
Learn painting, mostly from the basic sketch. Perspective, shape, structure, space is rational and normative, the face of the image of the painter is sensual. Through rational observation and then sublimation to perceptual performance, art gives life. Even monochrome sketches, too. However, no amount of painting and time accumulation, and in this accumulation of the perception produced, it is impossible. Quality worth mentioning, talent worth mentioning, it is hard to know when? From eager to start the plug, looking forward to handy, the process of flashing from time to time, and sometimes disappear, which is common in painting things. Can not tell at what stage, or feel proud to find the feeling, or downcast not feeling progress. However, the art world first painter after the entertainer as much. From artisans to art is the quantitative change to qualitative leap, painting