水彩画是以水为媒介调和透明颜料来完成绘画,这些透明色彩通过不同颜色的覆盖会产生特殊的效果,它产生与欧洲,在明清时期水彩画传入到我国。经过时代的不断变迁和发展,水彩技法也在不断地创新和发展,以东方为代表的水彩画通过中西文化的融合,形成了独特的水彩技法。因此,由于东西方文化和地域的差异造成东西方的审美观也不同,使水彩技法的发展也存在明显的差异。本文针对不同时期东西方审美观对水彩技法的导向性做了研究分析。 Watercolors are based on the water as a medium to reconcile the transparent paint to complete the painting, these transparent colors through different colors will have a special effect, it is produced in Europe, in the Ming and Qing Dynasties watercolor into our country. Through the constant change and development of the times, watercolor techniques are constantly being innovated and developed. The watercolor represented by the East has formed a unique watercolor technique through the integration of Chinese and Western cultures. Therefore, due to the differences between Eastern and Western cultures and territories, East and West aesthetic standards are also different, so there are obvious differences in the development of watercolor techniques. In this paper, we analyze and analyze the orientations of eastern and western aesthetic attitudes towards watercolor techniques in different periods.