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作为1992年奥斯卡最佳导演的获得者,乔纳森·戴米被认为是影像呈现凌厉、剧情排布诡异的怪才,虽然执导《沉默的羔羊》并荣获奥斯卡最佳导演让其名噪一时,但游离于主流之外的戴米却一直未能名声显赫。2008年,戴米执导的《蕾切尔的婚礼》再次呈现出了导演独特的拍摄视角。本文将以乔纳森·戴米导演的两部影片,即《沉默的羔羊》和《蕾切尔的婚礼》为例,自其中的故事情节布设和人物形象塑造入手,以精神分析学派中的创伤理论为切入点,对戴米导演的影片进行研究。
Jonathan Demi, considered the winner of the 1992 Academy Award for Best Director, is considered to be a fantastic geek of the movie. Although directed by Silent Star and best-of-breed Oscar winner, Free from the mainstream of the Dai Mi has not been famous. In 2008, Demetrius’s “Rachel’s Wedding” once again showed the director’s unique shooting perspective. Taking Jonathan Demi’s two films, “Silent Lamb” and “Rachel’s Wedding,” as an example, this essay will start with the distribution of stories and characters in order to analyze the theory of trauma in the school of psychology As a starting point, we study the films directed by Demi.