随着改革开放后,西方文化在中国的传播,中国人的传统审美观受到很大冲击,人们要求民间舞不再只是锣鼓声中程式化的舞步,而是呼唤民间舞在舞蹈本体、音乐、灯光、服装、舞美等诸多因素多元化的表现手法中,注入现代意识,呈现舞蹈艺术新态势,更深入地描绘人物的心理层次、情感效应、形象性格等精神境界。这些年,许多艺术团体已经进行了较多的探索,像中央民族歌舞团的《赶圩归来啊哩哩》不仅节奏变为摇滚,舞 With the spread of Western culture in China after the reform and opening up, the Chinese traditional aesthetics has been greatly affected. People are required that the folk dance is no longer just a stylized dance in the gongs and drums. Instead, it calls for folk dance to dance in the ontology, music, Lighting, clothing, dance and many other factors in a variety of performance techniques, the injection of modern consciousness, showing the new trend of dance art, and more in-depth depiction of the psychological level of the characters, emotional effects, the image of the character and other spiritual realm. In recent years, many art groups have conducted more explorations. Like the Central Nationalities Song and Dance Troupe’s “hurrying back to miles”, not only has the rhythm changed into rock and dance