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《蜗居》以都市白领买房为切入点,以赤裸真实的镜头展现了当前中国现代化和都市化进程中都市群体所遭遇的生存境遇和精神困境。在充满诱惑的现代性的物质社会里,剧中主人公郭海藻在自我不断膨胀的欲望中沉浮,追寻着灵与肉的满足与快感,最终却付出了惨痛的代价。这一悲剧性人物形象昭示着世人,在现代性和都市化的转型时期,都市群体还有待实现精神转型,才能规避悲剧的重演。
The “dwelling house” takes the urban white-collar buyers as a starting point, with a naked and true lens to show the current situation and spiritual dilemma encountered by urban groups in the process of China’s modernization and urbanization. In a tempting modernity of material society, Guo Haizao, the protagonist in the play, floated in his own desire for self-expansion and pursued the satisfaction and pleasure of spirit and flesh, eventually paying a devastating price. This tragic figure shows the world, in the transition period of modernity and urbanization, the urban groups still need to realize the spiritual transformation in order to avoid the recurrence of the tragedy.