一、完美的呼吸是完美动作的支柱 1984年我毕业于北京舞蹈学院教育系后,在两个地方教过课,先在武汉教一年半后,就到了广东舞蹈学校。在这两个地方我碰到一个共同的问题:学生在形体训练过程中,总是在动作基本完成时就停滞不前,游离在完美之外。对这一问题我的看法是,完成动作只是外形的模拟,而完美动作则是内涵与外形的有机地结合。这 First, the perfect breath is the perfect pillars of action In 1984 I graduated from the Beijing Dance Academy Department of Education, taught in two places, first taught in Wuhan a year and a half later, went to the Guangdong dance school. In these two places I encountered a common problem: students in the physical training process, always in the basic completion of the action is stagnant, free from perfection. My view on this issue is that the completion of the action is just a simulation of the appearance, and the perfect action is the organic combination of the connotation and the appearance. This