尽管展场的墙壁如此洁白,可我宁愿相信凯绥·珂勒惠支(1867-1945)是站在一片废墟中发出爱的呼唤,悲伤且炽热。她的小型版画上强烈的黑白对比、下层人的粗犷生活和逼人的死亡压迫感仍旧能唤起人们的同情心,虽然,目前的艺术圈弥漫的是“中产阶级的审慎魅力”。 Despite the whiteness of the walls of the fair, I would rather believe that Kisui Kele Hui Chi (1867-1945) was a cry of love standing in ruins, sad and hot. The strong black-and-white contrast in her small printmaking, the brutal life of the underclass and the oppressive sense of death can still arouse people’s sympathy, though the current art circle is filled with “the cautious charm of the middle class.”