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二胡这件中国传统的民族乐器,有着两千多年的历史。每个历史时期的变革都有着其独特的变化与创新。其每一个时期的发展都是深深受到中国传统美学思想的影响的。尤以以老庄思想为核心的道家美学思想最为突出,二胡艺术实践从练习到情感的表达及音乐内涵的注入,每一个环节都离不开老庄美学思想的指导。本文主要从练习规律的探索、情感的表达与演奏境界的追求三个方面来阐述老庄美学思想在二胡艺术实践中的运用。
Erhu this Chinese traditional national musical instrument, with more than two thousand years of history. Each historical period of change has its own unique changes and innovations. The development of each period is deeply influenced by Chinese traditional aesthetics. Especially Taoist aesthetic thought with Lao-Zhuang thought as the core is the most prominent. The practice of erhu art from practice to expression of emotion and the influx of musical connotation can not be separated from the guidance of Lao Zi-Zhuang’s aesthetic thought in every link. This article mainly elaborates the application of Lao Zhuang’s esthetics thought in erhu art practice from three aspects: the exploration of practice law, the expression of emotion and the pursuit of playing realm.