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汉末建安之际,才人倍出,才情奔涌,“三曹”“七子”卓然独立,一时间,风骨遒劲的“建安文学”怆然遗世。现实主义慷慨悲凉的激流中泛起朵朵浪漫的凄美浪花,曹植一曲《洛神赋》千载而下,遐想于今。从《昭明文选》李善注到王献之的小楷书法《洛神赋十三行》,到顾恺之《洛神赋图卷》,到梅兰芳的《洛神》……一部文学作品,已演绎成中华文化千年艺术的凝结,一个女人业已成为民族审美深厚积
At the end of the Han Dynasty Jian’an, talent twice, talent surged, “three Cao ” “seven son ” Zoran independence, a time, strong personality “Jian’an literature ” Ranran. Realistic generous sad rapids in the poignant romantic wave of poignant and romantic, Cao Zhi a “Los God Fu” for thousands of years, reverie today. From the “Zhao Ming anthology” Lishan note Wang Xianzhi’s calligraphy “Rosary Fu Fu Thirteen” to Gu Kai’s “Luo God Fu map volume” to Mei Lanfang’s “Los God” ...... A literary work, has been interpreted as Chinese culture The clinging of the millennium art, a woman has become a national aesthetic deep product