新世纪以来,公众对文化艺术的接受程度有所变化,雕塑家们的艺术思考与对公共性的认知达成基本共识。因此在一个比过去相对宽松的环境中,文化历史脉络与自然地理环境成为公共雕塑创作首要考虑的问题。广州美术学院雕塑系主任陈克教授以多年的材料语言探索、媒介实践为基础,对自己的公共艺术实践提出了更高的要求。从陈克的大型公共景观《荆棘之路》中可看到他以很强的艺术语言驾驭能力,来解决艺术性与公共性之间的冲突,可以隐约看到一种震撼 Since the beginning of the new century, public acceptance of arts and culture has changed. The sculptors’ artistic thinking and their recognition of publicity have reached a basic consensus. Therefore, in a relatively relaxed environment than in the past, the cultural and historical context and the natural geographical environment have become the primary consideration in public sculpture creation. Professor Chen Ke, director of the Sculpture Department of Guangzhou Academy of Fine Arts, has put forward higher requirements for his practice of public art based on years of material exploration and media practice. From Chen Ke’s large public landscape “Thorn Road” can be seen in his strong artistic language control ability to solve the conflict between art and publicity, you can vaguely see a shock