一千二百年前,中国词传到日本,立即引起日本天皇及大臣的悉心仿作。从而使彼国诞生了流淌着中国血脉的新的文学样式——日本词学。日本江户时代著名词人野村篁园的《秋篷笛谱》中咏物之作就隐现着中国南宋史达祖梅溪词的影子。其不滞于物、形神俱肖的艺术形象,借物言志、以物喻理的思想寄托,取媒贴切、虚实得当的艺术手法,即可为例。这些都从一定角度反映出中国文学在域外影响的广度和深度。 Twelve hundred years ago, when the Chinese word spread to Japan, it immediately caused the emperor and the minister of Japan to carefully imitate it. So that his country was born a new literary style flowing through the Chinese blood - Japanese Ci-study. In Japan, the famous poet Nomura in the Edo Period, “Autumn Folks in the Flute Spectacle,” now reveals the shadow of St. It is not lagging behind the thing, vivid portrait of the art, by materialism, the object of the metaphysical thinking sustenance, take the media appropriate cut, the actual art of virtual reality, for example. All of these reflect the breadth and depth of the extraterritorial influence of Chinese literature from a certain angle.