以中国历史上两次重大的人口迁徙为题材的电视剧《闯关东》《走西口》一经播出就赢得了观众的强烈喝彩,被广大观众美称为“移民史诗”。当然,从那群为求生存,背井离乡的山西人,山东人身上我们看到中华民族自强不息的优良传统,也看到了中国文化深长的影子,本文从审美文化角度谈谈这两部移民史诗的审美意蕴。 The television series “Going through the Kanto” and “Walking West Port”, themed on two major population migrations in Chinese history, once won the audience’s strong applause and were widely read by the audience as “immigrant epic”. Of course, from those groups of Shanxi and Shandong people who wanted to survive and leave their homeland, we saw the fine tradition of self-improvement of the Chinese nation and the profound shadow of Chinese culture. This article talks about the aesthetic standards of these two immigrant epics Implication.