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似乎再也没有太多人对日趋商业化的欧美歌坛表示出他们的惊讶与不理解来。泡沫般的繁荣早就成为欧美歌坛鲜明的旗帜和人们对它最中肯的总结语。在这个泡沫繁荣的歌坛上我们能听到任何种类包装精美的唱片,可是我们也可能会对成堆的CD盘而忧虑,我们没法抉择哪一张更适合我们的耳朵与内心,因为聆听的经验告诉你:这些唱片无一不是泡沫繁荣的产物,那些你所崇拜的艺人们不过是工业流水线上的操作工而已。而作为音乐爱好者与消费者的你,一不小心便会掉进他们为你精心设计的空洞里。所以,第三只眼睛来看泡沫繁荣歌坛的背面问题也许会更有助于你的聆听和更深刻地了解一些你所关心的问题。
It seems that no more people show their surprise and incomprehension to the increasingly commercialized European and American singers. Bubble-like prosperity has long been a distinctive flag of European and American singers and people’s most concise language. We can hear any kind of beautifully packaged recordings on this bubbly pop, but we may also be worried about piles of CDs, and we can not decide which one fits our ears and heart better because we listen Experience tells you: All these records are the product of the bubble boom, and the artists you admire are nothing more than industrial process workers. As music lovers and consumers, you accidentally fall into the hole they designed for you. So, the third eye to look at the back of the bubble prosperous song may be more useful to help you listen and a deeper understanding of some of your concerns.