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好几年前,陶喆有一首歌叫做《二十二》,唱的是一个刚满二十二岁的少年,结束了一场二十二个月的恋爱,想象着自己生命的变化、即将面对的梦的旅途以及陌路上也许会遇到的所有烦恼和忧愁……这首歌几乎唱出了那个年纪的孩子所有茫然无力却又满怀希望的情绪。很多时候人们之所以错愕于一些摄影作品的伟大、独特抑或与众不同,除了精湛的专业能力以外,这些创作者们都不乏一个共同点,就是“执念”。这份执念让他们的世界有别于普通人眼中的世界,也许从他们的二十二岁或许更早的一十二岁,他们眼中的世界就已经和别人的不一样,别人眼中的废铜烂铁
A few years ago, Tao Zhe had a song called “Twenty-two”, singing is a just turned twenty-two years old boy, ended a love of twenty-two months, imagine the changes in their lives, is about to face The dream journey and all the worries and sorrows that may be encountered on a stranger’s street ... The song almost sings all of the impotent but hopeful emotions of that young child. In many cases, people are stunned by the greatness, uniqueness or uniqueness of some photographic works. Apart from their superb professional abilities, these creators all have one thing in common: “obsession.” This obsession distinguishes their world from that of ordinary people. Perhaps from their age of 22 or earlier, their world is already different from others. The waste of others’ eyes Copper rotten iron