文章首先介绍了清末居巢居廉的“撞水”、“撞粉”法,由此引入,综述了肌理在现代花鸟画画面背景中的运用。肌理使得画面产生了用笔作画无法得到的效果和变化,不仅使得画面更加丰富,而且可以给观者更多想象的空间。在画面中合理的运用肌理技法,产生出生动自然的肌理,逐渐形成代表自己风格的肌理纹样,成了当代很多画家研究的课题。 The article first introduces the “collision” and “collision” method of Juchao Lian in the late Qing Dynasty, and then introduces and reviews the application of texture in the background of modern flower and bird painting. Texture makes the picture produced effects and changes can not be achieved with the pen painting, not only makes the picture more rich, but also give the viewer more imagination. Reasonable use of texture techniques in the picture to produce a natural and vivid texture, and gradually formed on behalf of their own style of texture patterns, has become the subject of many contemporary artists.