20世纪80年代末,我于浙江美院(现中国美术学院)求学期间,有幸忝列陈振濂先生门墙几年,随先生学习书法、篆刻。对于先生的书法艺术,我有着很深切的感受和体会。在此,我想就陈振濂先生书法艺术的精神向度与文化意蕴,谈一点拙见。书法艺术的内在精神与文化意蕴,究其本质是对理念的一种追求,它规训了一个时代的理论思维。正如德国著名古典哲学家、美学家黑格尔所说:“美是理念的感 In the late 1980s, during my study in Zhejiang Academy of Fine Arts (now the China Academy of Art), I was fortunate to have Mr. Chen Zhen-jing door-to-wall for years and studying calligraphy and carving with Mr.. I have a very deep feeling and understanding of Mr.’s calligraphy art. Here, I would like to cite a little humble opinion about the spiritual orientation and cultural connotation of Mr. Chen Zhenlai’s calligraphy art. The intrinsic spirit and cultural implication of calligraphy art, its essence is a pursuit of the concept, it is the discipline of a theoretical thinking. As German famous classical philosopher and aestheist Hegel said: ”Beauty is the sense of concept