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传记影片《阿黛尔·雨果的故事》塑造了一个对情爱偏执到近乎疯狂的女主人公阿黛尔.雨果的形象,在影史上占有重要地位。究其原因,除了影片主创人员对影片恰到好处的把握之外,还因为阿黛尔对虚幻情爱的偏执追求,隐秘地展示了人的一种无法直抒的需要:疯癫、虚幻与沉迷,使该影片及阿黛尔的形象具有超凡脱俗的魅力。这种常被视作病态的“疯癫”对人的自我满足及整个人类的文明史都具有不可忽视的作用。
The biopic film “The Story of Adele Hugo” shaped the image of Adele Hugo, a paranoid and apathetic protagonist of love, which played an important role in the history of film. The reason for this, in addition to film creators just right grasp of the film, but also because of Adidas’s unreal pursuit of paranoia, secretly demonstrated one of the human can not express the need: madness, illusion and addiction so that the film And Adele’s image has the extravagant charm. This kind of “madness”, often regarded as pathological, has a negligible effect on human self-satisfaction and the history of civilization as a whole.