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古琴王化，指的是中国古代统治者依“物我交融”的视角在古琴这件乐器上作其“发现”，以“盛世”意识将古琴部件与社会形态进行攀比的一种行为，从而使古琴这一“静”物成为“动”的古代社会时空，成为统治者人文思想的一种象征之物。 古琴作为中国最具代表性的古乐器之一
Guqin Wanghua refers to an ancient Chinese ruler in accordance with the “me-blend” point of view on the instrument in the guqin for its “discovery” to “prosperity” awareness of the components of the guqin and social form of an act to compare The ancient social time-space that made the “static” object of Guqin “move” became a symbol of the ruler’s humanistic thought. Guqin is one of the most representative ancient musical instruments in China