论文部分内容阅读
关于“后现代主义”文学近20年的讨论十分热闹,但公说公理、婆说婆道,又可谓声调各异。但有一点却颇多认同,那就是“后现代主义”打破了“现代主义”的高雅与严肃。走向了“通俗化”或“大众化”。如果想一想艾略特的《荒原》、乔依斯的《尤利西斯》、普鲁斯特的《追忆逝水年华》这些令人望而生畏的现代主义经典,其“高雅”与“严肃”显而易见。假如再读读如德国作家聚斯金德(1949-)的《香水》这样的小说,对“后现代主义”所谓的“通俗化”更会印象至深。《香水》完全可以看作“通俗化”或“大众化”的一个范本。
The discussion on “postmodernism” literature has been very lively for nearly 20 years. However, when the public speaks of justice and the poem is poetic, it can be said that the tone varies. However, there is quite a bit of agreement. That is, “post-modernism” has broken the elegance and seriousness of “modernism.” To the “popularization” or “popularization.” If you think of Eliot’s Wasteland, Joyce’s Ulysses, and Proust’s Remembrance of the Dead, these daunting classics of modernism, whose “elegant” and “serious ”Obvious. If we read novels such as Perfume by German writer Josef Kingent (1949-), we will be even more impressed with the so-called “popularization” of “post-modernism.” “Perfume” can be completely regarded as a “popular” or “popular” a model.