雷蒙德·寇克林(Raymond Koechilin,1860-1931)在去世前一年发表了一篇题为《一个东亚艺术老藏家的回忆录》(Souvenirs d’un vieil amateur d’art de l’Extrême-Orient)的文章,回顾了自十九世纪六十年代开始的“日本风”(Japonisme)和紧随其后的“中国热”。虽然同是来自亚洲的文化,但在与西方的接触和碰撞中,日本和中国艺术表现出截然不同的姿态和面貌。这既是日、中两个国家当时所处的政治、文化环境的真实反映,也是这两种文化自身所具有的特性和惯性使 Raymond Koechilin (1860-1931) published a memoir entitled “A Memoir of Old East Asian Art Collectors” a year prior to his death (Souvenirs d’un vieil amateur d’art de l’Extrême-Orient ), Reviewing Japonisme and the “China fever” that followed since the 1860s. Although the same is from the Asian culture, but in the contact and collision with the West, Japanese and Chinese art shows a very different attitude and appearance. This is not only a true reflection of the political and cultural environment in which the two countries were at that time but also the characteristics and inertia of the two cultures themselves