论文部分内容阅读
自上世纪八十年代起,中国电影叙事语言和表现手法不断发展变化并进入了一个崭新的天地。这一时期的电影作品已经开始对我们传统视觉的怀疑与调侃,对我们习以为常的观察方式进行讽刺与嘲弄,对我们的思维观念进行重新界定。正是这种原因,笔者对这一时期的影片做了一定的研究,本文以影片《三毛从军记》为例,通过对个体的研究,从微观的角度来折射当代中国电影在文体与表述上的嬗变。
Since the eighties of last century, the narrative language and expression technique of Chinese movies have evolved continuously and entered a brand new world. Film works of this period have begun to doubt and ridicule our traditional vision, satirical and mock our usual observation methods and redefine our thinking concepts. It is for this reason that the author made some research on the films of this period. This article takes the film “San Mao from the Army of the Army” as an example. Through the study of the individual, this paper refracts from the microscopic point of view the contemporary Chinese film in style and expression On the evolution.