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书中有势,为印亦有势。印势,从狭义的印学范畴——篆刻艺术层面来讲,是指篆刻中富有联系性、趋向性、运动性的力感,是篆刻艺术中根本性、存在性的问题。它的形式包括篆势、刀势、朱白之势,三者相互规定,紧密联系。势的联系性、力感和运动属性,赋予印以生命意味,正是因为有了势的存在,篆刻审美才会呈现勃勃生机。本文通过分析现代篆刻家较典型的作品,对印势于创作中的意义进行观照,以期有一个较为完整的印势概念界定和意蕴表述。
There is potential in the book, India is also potential. Impression, in the narrow category of printing and calligraphy - in the art of seal cutting, refers to the sense of force which is rich in contact, tendency and movement in seal cutting and is a fundamental and existential problem in the art of seal cutting. Its form, including seal, knife power, Zhu Bai trend, the three mutual regulations, close contact. Potential contact, sense of force and sports attributes, given the imprint of life means that it is precisely because of the potential exists, carving aesthetic will be full of vitality. This paper analyzes the meaning of Indo-India in creation by analyzing the more typical works by modern seal-makers in the hope of having a more complete definition of Impression and the expression of implication.