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最近,在京剧舞台上出现了两出惹人注目的丑角戏,一出是湖北省京剧团演出的《徐九经升官记》(郭大宇、彭志淦编剧,余笑予导演),一出是中国京剧院三团演出的《巧县官》(焦克、孔新垣、刘习中改编,孔新垣、刘习中导演),它们共同的特点就是以其清新、隽永的风格,神情并茂的表演,热情地褒彰了封建社会中两个心灵美好的小官。剧中的主人公,虽为丑扮,却丑而不丑,美在其中,观之使人悦目警心,于笑声中深受教益。在京剧发展史中,丑角表演艺术并非没有优良深厚的传统,但由于长年得不到应有的关
Recently, two remarkable clown shows on the stage of the Peking Opera were presented by the Peking Opera Troupe of Hubei Province, including “Xu Jiu Jing Gaosheng Ji” (Guo Dayu, Peng Zhijian and Yu Xiaoyu) and one of the three groups of the Peking Opera The performance of “Qiao Xian Guan” (Jiao Ke, Kong Xin Yuan, Liu Xi in adaptation, Kong Xin Yuan, director Liu Xizhong), their common feature is that with its fresh, meaningful style, look and passionate performance, warmly praised the feudal society Two beautiful young officers of the heart. Although the protagonist in the play is dressed in ugly style, it is ugly and ugly. Beauty is one of them. In the history of Peking Opera, the performing arts of the clown are not without good and profound traditions,