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“英雌”话语是清末民初民族国家振兴、女权振兴的典型话语形态之一。秋瑾和吕碧城是其时“英雌”实践的典型代表。一方面,她们以自己的女权倡导、革命壮举、个体活动履行着“英雌”追求;另一方面,她们又以一己的文学创作表达着“英雌”理想的诉求。她们同是才人奇性,特立独行;倡女权风,具“英雌”魂;不同在于秋瑾持民族革命观念,力行着“铁血英雌”的渴望;碧城则有世界主义向往,追慕着“文人英雌”的风采。
“British female ” discourse is one of the typical discourse patterns of rejuvenating the nation-state and promoting the rejuvenation of feminism at the end of the Qing Dynasty and the beginning of the Republic of China. Qiu Jin and Lu Bicheng is the time “heroine ” practice typical representatives. On the one hand, they fulfill their “heroines” pursuit with their own feminist advocates, revolutionary feats, and individual activities; on the other hand, they express their aspirations of the “heroine” with his own literary creation. They are both singular and maverick; advocating feminist style with “heroine” spirit; difference lies in Qiu Jin holding the concept of national revolution, with the desire of “Jagged heroine”; Cosmopolitanism aspires to the charisma of “literati ”.