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摄影术诞生之初只不过是一种保存影像的工具,然而这种有“画框”的影像不久就显示出它的“艺术”潜力。人们看到了影像的“双重”性:既有能纪录影像的“物理”性,也有能创作影像的“艺术”性。在摄影诞生至今的一百多年中,摄影始终向“艺术”靠拢,从“仿画”开始,到摆脱绘画回归摄影本体的“自然”美,最后找到摄影自己的“途径”来获得影像的视觉美(或张力)——对摄影“画框”内的具象与“抽象”视觉元素进行安排设计,使之成为“艺术”摄影。
The beginning of photography was nothing more than a tool for preserving images, however, this “frame” image soon showed its “artistic” potential. People have seen the “double” nature of images: not only the “physical” nature of images but also the “artistic” nature of images. In the more than one hundred years since the birth of photography, photography has always been moving closer to “Art ”, starting from “Painting ”, to getting out of the “natural ” beauty of painting returning to the ontology of photography and finally finding photography “Way” to get the visual beauty (or tension) of the image - to arrange the visual and “abstraction” visual elements in photography “frame ” to be “art ” photography.