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石涛《画语录》辞意玄妙,内涵丰富,思想深刻。它提出的“一画”观念,在中国美学史上具有崇高地位。一画贯穿本体论、认识论、创作论。由于强调一画的能动性、创造性,因而突出了心灵在艺术创作中的主导地位,较好地解决了人与现实、人与传统、现实与作品的关系问题,建构了一个独具特色的现实、人心、画作三者相互圆融而又各具生命的画道。一画在石涛思想体系中的意义和作用,颇类良知在阳明心学中的意义和作用。他反传统的思想,与泰州学派代表人物李贽非常相近。他的思想虽然与佛老两家有密切关系,但总的说来,是对阳明学—泰州学派学说的继承和弘扬。论其谱系,应当属于这一脉。
Shi Tao “Picture Quotations” rhetorical meaning of the words, rich in content, profound thinking. It put forward the concept of “one painting”, which has a high status in the history of Chinese aesthetics. A picture runs through ontology, epistemology, creation theory. Emphasizing the motivation and creativity of one painting, it highlights the dominance of the mind in artistic creation, resolves the relationship between man and reality, man and tradition, reality and works well, constructs a unique reality, People’s heart, painting three mutually blending each other life’s picture. The meaning and function of a picture in Shi Tao’s thought system are rather the meaning and function of conscience in Yangming’s study of mind. His anti-traditional ideology is very similar to that of Taizhou school’s representative Li Zan. Although his thoughts are closely related to the two Buddhists, in general, his inheritance and promotion of the theory of Yangming - Taizhou School. On the pedigree, it should belong to this vein.