二十世纪,各民族在地域性中形成的传统色彩艺术已经融合成为反映人类当代色彩本质丰富性的世界色彩文化;而当代色彩艺术的时代性和世界性又反过来改变着民族区域色彩的传统和过去性。在现代性世界色彩文化环境中,我们讨论中国画色彩系统的重建,应当在理性层次关注人类现代色彩本质丰富性和色彩艺术的世界性。由此,才能真正激励出一批具有当代色彩感知发现力的中国艺术家。如今,现代性的世界文化已经在精神形式和内涵上包容了民族区域文化的“过去时”。纯粹的传统民族艺术形式,已经失去了过去产生时的精神专注状态。时间把过去时的艺术存在放到博物馆里。当代艺术家必然在他生存的时代发展人类结在时 In the twentieth century, the traditional color arts formed by the various nationalities in the region have been merged into a world color culture reflecting the richness of the contemporary color of mankind. The contemporary and global nature of contemporary color art in turn has changed the tradition of color in ethnic regions And past sex. In the context of modern world color and culture, we discuss the reconstruction of the color system of Chinese painting. We should pay attention to the richness of human nature in modern times and the worldwide nature of color art at the rational level. Only in this way can we truly inspire a group of Chinese artists with contemporary color perception and discovery. Nowadays, the modern world culture has already contained the “past tense” of regional culture in terms of spiritual forms and connotations. The purely traditional national art form has lost its mental concentration in the past. Time puts the artistic existence of the past into the museum. Contemporary artists must inevitably develop human knot in the time of his existence