从中国的诗歌发展来看,女性诗歌在当代尤其是20世纪后期有很大进步。传统男性中心观认为,女人无史。中国的“二十五史”中,所有的历史主体都是男性,这一历史长期丧失了公正性。不管是鲁迅的“吃人”说,还是很多历史学家所说的女性身份被抹杀,仅仅变成性取向的符号。这些都告诉? Judging from the development of Chinese poetry, women’s poetry has made great progress in the contemporary era, especially in the late 20th century. The traditional male center thinks that women have no history. In China’s “Twenty-Five Histories,” all historical subjects are men, and this history has long lost its fairness. Whether it is Lu Xun’s “cannibalism” theory, many historians say the identity of women is being denied and merely becoming the symbol of sexual orientation. All these tell?