“留白”原指中国传统绘画中的一种艺术表现方式,通过留出一些空白,营造视觉上的层次感,增大欣赏者的想象空间,丰富绘画本身原有的意义。留白不仅是一种表现手法,更是一种审美意识。绘画和摄影同是造型艺术,我们会把绘画的表现手法移植到摄影之中来。人像摄影虽然相对写实,画面大都以人为主,但也有两类照片需要留白:一类是追求画面情感的延伸、形式的张力和状态、追求意境的画面需要特意留出空白:另一类是画面中有背景、陪体等部分,这些也占一定面积,属于画面中的白。我们通过“白”的虚来衬托画面的主体,将画面的主与次、大与小、疏与密、实与虚安排得清新明快、主次分明、浓淡相宜、虚实得当,产生自然、和谐之美,避免画面拥塞。本文要说明的是留白构图与人物美姿的关系。 “White ” originally refers to an artistic expression in traditional Chinese painting. By leaving some gaps, creating a visual sense of hierarchy, increasing the imagination of the viewer and enriching the original meaning of the painting itself. Blank is not only a manifestation, but also an aesthetic sense. Painting and photography are the same as plastic arts, and we will portray the expression of painting into photography. Although portrait photography is relatively realistic, most of the pictures are people-oriented, there are two types of photos that need to be left blank: one is the pursuit of the extension of the emotion of the picture, the tension and the state of form, the picture of the pursuit of the mood needs to be deliberately left blank: The background of the picture, accompany the body and other parts, these also account for a certain area, belonging to the white screen. We set off the main body of the picture through the use of “white”. We make the main and the secondary, big and small, sparse and dense, real and imaginary arrangements fresh and crisp, with clear and prioritized subtlety, appropriateness and deficiency, and produce natural , The beauty of harmony, to avoid the picture congestion. This article is to explain the relationship between the composition and the figure beauty.