在《离骚》的前后半篇中,主人公形象有明显的不一致,前后有男女性别之间的转换,造成这种差异的原因主要有三点,它既是屈原在艺术上有意识的创造,又是“男女喻君臣”比兴手法的体现,与男女结为婚姻过程一致,同时屈原所求诸女与帝王关系不一般,在神游幻境中不能直接求君,而以“求女”喻求君,比较委婉。 In the first half of the second episode of “Li Sao”, there are obvious inconsistencies in the image of the protagonist. Before and after this, there is a changeover between the sexes. There are mainly three reasons for this difference. It is both an artistically conscious creation of Qu Yuan and a “ Men and women Yujun Chen ”Beixing practices reflect the process of marriage with men and women, at the same time, Qu Yuan sought the relationship between the girls and the emperor is not general, in the fantasy of the funeral can not be direct, and More euphemistic.