改革开放以来,随着世界各国文艺思潮的涌入与渗透,我国的影视剧文学创作也呈现出明显的兼容并包、百花齐放的喜人景象。对其中的若干理论问题进行一番冷静的思考与总结,无疑对于今后的创作大有裨益,本文就此略抒浅见,以期引起讨论。一、题材开拓的广度题材是影视文学创作的前提,它直接关系到作品的成败。过去有人讲:“题材好,就成功了一半。”虽然过分夸大了题材的作用,但是题材本身确实存在着先天性的含金量的事实,这是无法否认的。新时期的剧作家们,深请题材的重要性,十分重视题材的选择的新颖度与含金量。由于个体的重视,就形成了群体的多角度、多侧面、深层次的题材开拓,遂使我国当代影视文学的题材范围,呈现十分广泛的鲜明特点。 Since the reform and opening up, with the influx and infiltration of literary and artistic trends in various countries in the world, the dramatic and literary creations of our country have also shown a gratifying picture of compatibility and inclusiveness. Some of these theoretical issues for some calm thinking and summary, no doubt for the future of great creative work, this article is a humble way to discuss. First, the theme of the breadth of subject matter is the premise of film and television literary creation, which is directly related to the success of the work. In the past, some people said: “The theme is good, it succeeded in half.” Although excessive exaggeration of the role of the theme, but the theme itself does exist the fact that the congenital gold content, it is undeniable. The dramatists of the new era, deeply invited the importance of the theme, attaches great importance to the novelty and gold content of the theme of choice. Due to the individual’s attention, a multi-angle, multi-sided and deep-seated theme development of the group has formed, so that the theme range of contemporary Chinese film and television literature presents a very wide range of distinctive features.