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在人们的心目中,张大千是一位名画家,其实他的画名掩盖了他的鉴藏才能和成就,他是一位超一流的鉴藏大家。不仅在同代,即使明清以来数百年间,恐怕无出其右者。众所周知,中国古书画的鉴定涉及因素相当多,而且相当复杂。鉴定主要靠经验积累。大千由于看得多、临摹得多,故对历代名家笔墨技法了如指掌,造就了他过硬的鉴别真赝、优劣的本领。早在1928年,日本的有关机构就邀请大千去鉴定一批中国书画。1929年中华全国第一届美术展览会,张大千就被聘为美展作品干事。1931年,张大千与张善孖、王一亭等人被聘为中
In the minds of people, Zhang Daqian is a famous painter, in fact, his painting name masks his ability and achievement of the collection of books, he is a super collection of Kam everyone. Not only in the same generation, but even though hundreds of years have passed since the Ming and Qing dynasties, I am afraid there is no other right. As we all know, the identification of ancient Chinese painting involves quite a number of factors, and quite complicated. Identification depends mainly on experience. Daqian due to see much, copying much, so well-known techniques of ancient masters pen and ink, created his excellent ability to identify the true, the pros and cons. As early as 1928, the relevant agencies in Japan invited thousands to identify a group of Chinese calligraphy and paintings. 1929 China’s first art exhibition, Zhang Daqian was hired as art director. In 1931, Zhang Daqian and Zhang Shanshan, Wang Yiting and others were hired as