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文本物质层面与文本意义的关系是一个较复杂的论题。文本意义通过“媒介”而被阅读获得,海德格尔界定的艺术作品的物质性影响巨大,但在空间关系上存在混淆,不能成为普遍分析的依据。胡塞尔的兴趣并不在艺术作品的本质分析,而在于通过对意向作用———意向对象的结构分析建立纯粹现象学。应考虑回到经典现象学立场的必要性。
The relationship between textual material level and textual meaning is a more complicated topic. Textual meaning is read through “Media ”. The material effects of Heidegger’s defined works of art are immense. However, there are confusions in the spatial relations and can not be used as the basis for general analysis. Husserl’s interest is not in the essential analysis of works of art but in the establishment of pure phenomenology through the structural analysis of the role of intention-intentional object. The need to return to the classical phenomenological standpoint should be considered.