本文对比论述了谷崎润一郎的两次上海之行。第一次上海之行以游历为主,谷崎将上海作为反观日本的一面镜子,在论述中流露出了东方主义的意识形态;第二次以交友为主,通过与中国文人的交往、畅谈,不仅注意到了殖民地上海发展的落后与迟缓,而且了解了中国文人的精神世界。这成为谷崎反思中国与其自身的支那趣味、最后放弃中国题材作品创作的契机。 This article contrasts Tanichiro Tanizaki’s two trips to Shanghai. The first trip to Shanghai mainly to travel, Tanizaki will Shanghai as a mirror of Japan in contrast, in the discussion revealed the Orientalist ideology; the second to make friends mainly through the interaction with the Chinese literati, talk, not only Noticed the backwardness and sluggishness of colonial Shanghai and the spiritual world of Chinese literati. This has become an opportunity for Tanizaki to reflect on China and its own tributaries and finally abandon the creation of works on Chinese themes.