魏晋六朝时期,人物品评发展兴盛,带动了文艺批评的繁荣。在这一时期,人们追求一种清痩飘逸脱俗的审美观,而这种审美观又影响到文艺的批评的审美理念,使得整个领域都倡导一种瘦而有力的“骨”。本文就从书法、绘画、文学三个领域来分析“骨”的具体内涵。 In the period of Wei, Jin and Liu dynasties, the development of personage evaluation flourished, which brought the prosperity of literary criticism. During this period, people pursued a kind of elegant and refined aesthetic concept, which also affected the aesthetic concept of criticism of literature and art, making the entire field advocate a thin and powerful “bone.” This paper analyzes the concrete connotation of “bone” from the three fields of calligraphy, painting and literature.