“震撼资产阶级”最容易 ,因而也最频繁使用、最壮观的方式 ,就是给予那些被时代主流美学排斥的事物或表现方法以美学的地位。①———皮埃尔·鲍德里亚　人们在使用“图利电影”这一术语时 ,大部分电影理论和电影史研究都没有考虑到历史、社会和经济话语之间复杂的相互作用 , The most spectacular way to “shake the bourgeoisie”, and thus the most frequently used, is to give aesthetic status to those things or expressions excluded by mainstream aesthetics of the time. ① When Pierre Baudrillard used the term “Tuli movie”, most film theory and cinema history research did not take into account the complex interactions between historical, social and economic discourse,