“王婆卖瓜自卖自夸”这句民间谚语,今天也成了国内少数靠后现代主义讨生活者的主要经营方式。为了抬高身价以利促销,他们不惜把这个“瓜”吹嘘成当今天下最现代、最高级、最前卫、最革命、最先进的文化思潮和艺术形态。一位后现代起哄者甚至说在西方所有发达国家里,它已“成为社会文化的标志,最重要的是成为每个现代公民的基本教养”。但真实情况如何呢?如果我们要说,后现代主义思潮及其艺术形态象潘朵拉匣子里放出来的瘟疫,在西方也不受广大人民和正直知识分子的欢迎,恐怕还有许多人不信。那好,请大家读一读下面这篇文章,看看西方一些著名学者是怎么大刀阔斧地批判后现代主义及其艺术形态的,他们开口恐怕要比我们开口更有说服力。其中保罗·奥斯卡·克里斯特勒先生的一段话很有意味,他把这场后现代文化革命和中国的那场文化大革命相提并论:“中国人已在某种程度上消除了他们的文化大革命,而我所见到的种种迹象却表明,美国这场文化大革命正在日趋恶化下去,并且不会在可预见的将来扭转。”这话难道还不发人深省吗?!中国“文革”的教训难道还没有受够吗?难道今天还要把美国的洋“文革”引进来再破坏一次中国的文化艺术百花园吗? The saying goes, “Wangpiao sells melon and sells it for sale.” As a folk idiom, today it has also become the main mode of operation in China that seizes upon a few post-modernist discussants. In order to elevate their social status and promote sales promotion, they bragged at this “melon” as the most modern, advanced, avant-garde, revolutionary and advanced cultural trend and art form in the world today. A post-modern perpetrator even said that in all the developed countries in the West it has “become a symbol of social culture and, above all, a basic upbringing for every modern citizen.” But what about the real situation? If we say that the postmodernist ideology and its artistic form are like the plagues released in the Pan La La Box, and are not welcomed in the West by the masses of people and honest intellectuals, I am afraid many others do not believe it . Well, let’s read this article below to see how some well-known Western scholars boldly criticize postmodernism and its art form. They are probably more convincing than we are saying. One of Paul Oskar Clintler’s words is very interesting. He compared this post-modernist cultural revolution with that of China. “The Chinese have somewhat eliminated their Cultural Revolution, And the signs I have seen indicate that the Great Cultural Revolution in the United States is deteriorating and will not be reversed in the foreseeable future. ”Is not it still thought-provoking? The lessons of China’s“ Cultural Revolution ”have not yet Is it enough to introduce the foreign “Cultural Revolution” of the United States today to sabotage a Chinese cultural and arts garden?