“宋宗炳,字少文,善书画,好山水。西涉荆巫,南登衡岳,因结字衡山,以疾还江陵,叹曰:‘老疾俱至,名山恐难遍游,当澄怀观道,卧以游之。’凡所游历,皆图于壁,坐卧向之。”(《名画录》)这段关于宗炳卧游的记载,让我猛然再思写生与行路的意义。对于久居现代都市中的我们而言,古人的生活似乎总有一部分存在于自己的想象之中,即便是面对流传至今的各类画作和文献,也无法穷尽我们对古人生活方式的猜测与向往。正因为自始至终与天地自然相依,古人与山水自然的关 “Song Zongbing, the word less text, good painting and calligraphy, good landscape .WestWu Wu, NandengHeng Yue, due to the word Hengshan, in order to return Jiangling, sighed: Cheng Huai Guan Road, lying to swim. ’Where the travel, are in the wall, sit to the.’ ”(“ Famous Paintings ”) This record of Zong Bing lying, let me suddenly re-thinking sketch and The significance of the road. For us living in the modern city for a long time, it seems that some of the ancients’ lives always existed in their own imagination. Even in the face of all kinds of paintings and documents that have been published so far, we can not exhaust our guess and longing for the ancient way of life . It is precisely because of the natural dependence of heaven and earth from beginning to end, the ancients and landscapes naturally close