殷夫自称为“病弱的骸骨”的《孩儿塔》和他的红色鼓动诗有着截然相反的颜色。由于众所周知的原因,我们只是以他的《血字》、《别了,哥哥》等为其代表作。称其为革命文字的代表作品,却有意地抹杀了诗人——浪漫主义诗人的其它,这是历史对诗人的不公。(1984年以前所编印的所有殷夫的诗文选集,均只选辑《孩儿塔》65首中的35首,剩下的30首则一直未公之于众。)这当然是因为它们不是“林中的 Yin Fu claimed the “sick bones” of “Baby Tower” and his red agitated poem has a diametrically opposite color. Because of the well-known reason, we only use his “Blood Word”, “Farewell, brother” as its representative. Calling it a representative piece of revolutionary writing, it deliberately obliterates the poet, the rest of the Romantic poet, as an injustice of history to the poet. (All Yin Fu’s poetry anthologies compiled before 1984 were only 35 of the 65 children in the “Tower of Babies,” while the remaining 30 were never made public.) This is of course because they are not " of