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《挂枝儿》是明冯梦龙编辑的一部男女私情民歌集。和其他民歌集分卷时主要从外在形式上考虑不同,该民歌集按情感发展的内在逻辑分为“私部”“、欢部”“、想部”等共十部。按逻辑内容分卷的模式源于训诂书及类书,而训诂书及类书都跟儒家经典及科举相关。《挂枝儿》直白露骨的内容与其分卷模式所联系的儒家规范有着强烈的冲突反差。《挂枝儿》内容与形式的矛盾恰好揭示了冯梦龙丰富复杂甚至于矛盾的生活,反映出明代中晚期特有的士人风貌。
“Hanging branch children” is Ming Feng Meng Long editor of a set of men and women folk songs. When compared with other folk songs, the folk songs are mainly divided into external forms according to the internal logic of emotional development, which is divided into 10 parts: private part, happy part, unit. The patterns of sub-volumes by logical content stem from Exegesis and class books, while Exegesis and class books are related to Confucian classics and imperial examination. The straightforward content of “Zhi Zhi Er” has a strong contrast with the Confucian norm linked by its sub-volume model. The contradiction between content and form of “Hang Zhi Zhi” just revealed Feng Menglong’s complex and contradictory life, reflecting the style of the unique scholars in the middle and late Ming Dynasty.